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She discusses the collection at Hay festival Winter Weekend online: Fantasy is an IDLE RPG game full of magic and sex. Mothers, Fathers, and Others: New Essays by Siri Hustvedt is published by Sceptre. Fuchs is a professor of philosophy and psychiatry at Heidelberg University and is a lucid, brilliant defender of a new form of humanism.įairy and folk tales – any kind from any country.
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At the same time, the lightning precision of Weil’s extraordinary mind would no doubt have bowled me over as a young person too.Ī wonderful recently published book, In Defence of the Human Being by Thomas Fuchs. I now think this was exactly the right moment for me because I was able to place the text in a broader context. I did not read Simone Weil’s Gravity and Grace until I was well into my 40s. This horrible, cheesy book advanced the disgusting “lost cause” narrative still dear to the American south and parts of the north. I checked it out of Reykjavik public library, didn’t understand that the author was writing about the Ku Klux Klan, and I had to ask my mother what the word “rape” meant. I read it that same fateful Icelandic summer. I have come to view it as an insurrectionist text that razes our assumptions about borders between this and that, I and you, life and death and grinds them into dust. The older I get, the more profound and radical the book has become. I read it first at 13 during the same Icelandic summer, and it scared me witless. I have read Emily Brontë’s Wuthering Heights five times now. I had to grow into an adult to feel the music, humour and rigour of her work. I didn’t “get” Gertrude Stein as a teenager. Although I sometimes tired of me and my insights while working on the thesis, I never lost a feeling of awe for the inimitable CD. Years later, I wrote my doctoral dissertation on Dickens. One night, moved to tears by a particular passage, which I no longer remember, I walked to the window and made a vow – if this is what books could do, then this is what I wanted to do. I read and read, one novel after another, but it was that book that set my nerves on fire. The sun never set, and my disturbed circadian rhythms kept me awake. Political upheaval was dimly present in my consciousness, but I lived on and in novels. It was the summer of 1968, and I was in Reykjavik, Iceland, where my father was studying the Icelandic sagas. The book that made me want to be a writerĭavid Copperfield by Charles Dickens. The philosopher’s interest in the science of the moment and its flawed assumptions, as well as his use of neurological case studies to illustrate his thought, have remained highly influential for my own thinking.Ĭharles Dickens’s David Copperfield set my nerves on fire He skewers the mind-body substance dualism in the philosophy of Descartes and his heirs. His work changed my “mind” by bringing it into my body.
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I was in my early 30s when I first read the French philosopher Maurice Merleau-Ponty, whose book Phenomenology of Perception reordered my thinking about the mind/body problem. I suspect that, despite my struggles with the text, I gleaned its essential message – that women were treated as outsiders to history as the eternal feminine, had always been other to man, and that these injustices ran deep.
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Rereading it later, I wonder exactly what I understood at the time. Despite my lack of philosophical sophistication, I responded viscerally to the book. When I was 14 or 15 I read Simone de Beauvoir’s The Second Sex. I was passionately attached to the story of this extraordinary, heroic woman. I was 10 years old and intensely aware of the civil rights movement, despite the fact that I lived in an all-white town and had seen black people only on forays to Minneapolis every Christmas. I found it in my school library in 1965, 10 years after it was first published. I loved Ann Petry’s biography, Harriet Tubman: Conductor on the Underground Railroad. Sign up to our Inside Saturday newsletter for an exclusive behind-the-scenes look at the making of the magazine’s biggest features, as well as a curated list of our weekly highlights.